Photo: Cathedral of St. Andrews, Fife, Scotland by J. Wilder Bill

King’s Envoy is the first novel in the fantasy series, Artesans of Albia, by Cas Peace. An Albian Baron in the fourth dimension sets out to destroy the Artesan craft but first he must gain the power to cross through each realm. Peace shares how to craft a fantasy set in medieval times. 

Are your realms based on the Buddhist concept of multiple worlds, where each is unable to see one another, yet at times, they notice one another’s presence?

My five realms does owe something to Eastern beliefs, if only in a small way. I was intrigued by the possibilities that might arise when completely separate and self-contained worlds, all of which evolved their own distinct beliefs, cultures and customs, could be visited at will by denizens of the other realms. Add the proviso that only an elite core would have this ability and you create a volatile and infinitely variable set of possibilities.

If you met either of your main female characters in person, what qualities would you want to change in them?

I love this question! Each of my characters have their faults, such flaws are what make us human. One is a healer. She is trained, talented and extremely capable, the kind of person you’d want by your side in a medical emergency. Yet take her out of her comfort zone and she becomes shy and insecure. Her confidence only extends as far as her knowledge of herbs, ailments and treatments. As the series progresses she does gain personal confidence, but only when among people she knows.

My other female lead possesses all the confidence the healer lacks. She knows her strengths and weaknesses and isn’t afraid to test herself against whatever life throws at her. She takes her successes humbly, while her failures do not break her. Her worst quality is that in times of stress she resorts to bad language.

In the opening chapter, Taran’s poor judgment places the wrath of an ambitious kingdom on his clan. What does this reveal about the character?

This was a method of showing Taran’s naivety and innocence. He’s had so many failures that he’s willing to try anything. Based purely on some notes left by his father, he sets off to a foreign realm, with the aim of challenging a man to a duel. Its dreadful outcome leaves him morally wounded as well as physically. It reveals the flaws in Taran’s training as well as his nature, and leaves him embarrassed and vulnerable. Yet although he is broken and frightened, he doesn’t shirk his responsibility. Here lies Taran’s strength, and what enables him to move forward and become the person others know he can be.  

Your heroine released her individuality and abides by the codes and orders of her superiors. Did you model her on a medieval knight? 

The fantasy genre doesn’t have enough women who compete with men, and become superior to them, without compromising their femininity. My heroine’s wounded past, and the events that befall her, mold her character and cause her to react in certain ways. When coupled with her deep sense of loyalty and duty, and driven by the tremendous power she commands, they create a dangerous entity, one who possesses the capability to destroy as much as to heal. The question is – will the many traumas she suffers during the course of her mission overcome her love and loyalty, turning them to hatred and destruction?

Which did you consider to be most important, authenticity of the medieval period or the elements of fantasy?

Fantastical elements become stranger and more wonderful when placed in a mundane setting. Small details, provided they’re not overdone, help bring a character vividly to life. Immersing myself deeply into my story and my characters, so deeply that I see what they see, smell what they smell, and hear their voices, is the only way I can write.

Did you develop character through the joy of developing a bond with horses and in showing how they are necessary for survival?

My intention in incorporating such intimate details was to allow the reader to become immersed in the setting. Horses were an essential and vital part of medieval life. I harbor a deep love of horses; I am a qualified horse-riding instructor and spent my early adulthood working and teaching in a school of equitation. I purchased a small Welsh cob named Lively – and trained him to pull a carriage. I competed in cross-country driving events, carriage-dressage, and was among the first allowed access to the M25, England’s most notorious motorway.

The point of view shifts between characters throughout King’s Envoy. Was it imperative for the reader to know more than the protagonist in order to increase tension?

Because the plot spans two different realms and involves more than one faction, it would be impossible to convey sufficient information through a single character. Events occur that would be meaningless and would confuse rather than enlighten were it not for a change of POV. There are also several sub-plots bubbling under the storyline – these all necessitate the use of more than one point of view. The story sticks with one character until the plot demands a switch. Intimately learning the motivations, aspirations and emotions of several characters enhances a reader’s experience.

At what point should a writer plan to create a series?

When the writer knows that those characters have more to give. Readers like to follow a fictional character’s ‘career’ just as much as that of a celebrity or a family member. Look at Conan Doyle’s’ Sherlock Holmes, or a more modern analogy, Peter James’ Roy Grace, or, to stick with fantasy, Stephen Donaldson’s Thomas Covenant. We all like familiarity and reading about our favorite characters is like catching up with old friends.

Thank You, for the opportunity to reveal these facts about King’s Envoy. I’d also like to say how much fun I had answering your challenging and insightful questions. The process made me think about my book from a slightly different angle, and often gave me pause for thought. I’d love to hear readers’ thoughts on the novel!

Thank you for your interest, all the best, Cas Peace.

Your knowledge on how to create a believable fantasy set in medieval times is deeply appreciated. For additional questions, you can find Peace at www.caspeace.com.

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